Kazimir Malevich

1878-1935 Russian painter, printmaker, decorative artist and writer of Ukranian birth. One of the pioneers of abstract art, Malevich was a central figure in a succession of avant-garde movements during the period of the Russian revolutions of 1905 and 1917 and immediately after. The style of severe geometric abstraction with which he is most closely associated, SUPREMATISM, was a leading force in the development of CONSTRUCTIVISM, the repercussions of which continued to be felt throughout the 20th century. His work was suppressed in Soviet Russia in the 1930s and remained little known during the following two decades. The reassessment of his reputation in the West from the mid-1950s was matched by the renewed influence of his work on the paintings of Ad Reinhardt and on developments


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Kazimir Malevich suprematism oil


suprematism
Painting ID::  68740
suprematism
1915, oil on canvas 87.5x72 state russian museum, leningrad se
   
   
     

Kazimir Malevich suprematist painting oil


suprematist painting
Painting ID::  68741
suprematist painting
1915-16, oil on canvas 49x44.5 se
1915-16,_oil_on_canvas_49x44.5 se
   
   
     

Kazimir Malevich suprematism oil


suprematism
Painting ID::  68742
suprematism
1915, oil on canvas 81.5x81 state russian museum, leningrad se
   
   
     

Kazimir Malevich suprematism oil


suprematism
Painting ID::  68743
suprematism
1915, oil on canvas 101.5x62 se
1915,_oil_on_canvas_101.5x62 se
   
   
     

Kazimir Malevich supremalism oil


supremalism
Painting ID::  68744
supremalism
1915, oil on canvas 44.5x35.5 se
1915,_oil_on_canvas_44.5x35.5 se
   
   
     

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     Kazimir Malevich
     1878-1935 Russian painter, printmaker, decorative artist and writer of Ukranian birth. One of the pioneers of abstract art, Malevich was a central figure in a succession of avant-garde movements during the period of the Russian revolutions of 1905 and 1917 and immediately after. The style of severe geometric abstraction with which he is most closely associated, SUPREMATISM, was a leading force in the development of CONSTRUCTIVISM, the repercussions of which continued to be felt throughout the 20th century. His work was suppressed in Soviet Russia in the 1930s and remained little known during the following two decades. The reassessment of his reputation in the West from the mid-1950s was matched by the renewed influence of his work on the paintings of Ad Reinhardt and on developments

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